This is day 19 of Blaugust.
This post was inspired by an article over at Midnight Resistance (this was going to be a comment, but there are no comments!) In the post, Andi complains about stealth sections in non-stealth games and asks readers to tell about their least favourite stealth sections.
I am usually not a fan of stealth in games. I’m too impatient to wait for enemy patrols to pass by or throw rocks as distractions. Here are some games that feature stealthy parts that I really didn’t enjoy.
The Last of Us
I’m sure I’ve complained about this one before. I found the stealth sections, particularly in the first half of the game, extremely frustrating. Ammo and supplies were low, Joel only had a access to a couple different weapons. There were many areas with a good half dozen infected standing around and you had to stealth around, taking them out one by one. Usually one or two could be taken out fairly easily, but the others required you to throw bottles and things to distract them. I don’t mind stealth so much when sneaking by enemies allows me to avoid combat altogether, but in most of these sections combat was inevitable.
My biggest issue? I have a shotgun! I want to use it. Technically I could use it, but it alerts all the enemies in the area and taking on more than a couple at a time generally resulted in a horrible death. So I was forced to stealth around, stabbing zombies in the neck until there were only one or two left. These sections slowed the gameplay to a crawl and were the main reason I wasn’t overly impressed by my first few hours with the game.
The first time you hang upside down from a gargoyle to make a surprise snare of an enemy and leave them dangling by their ankles it’s quite a rush. Same thing with dive bombing out of the shadows to take down a henchman with a gun. But the sixth? The tenth? The twentieth? It gets kinda old.
All of the Arkham games (at least the first 3, I haven’t played Knight yet) are filled with gargoyle rooms. Here the enemies are numerous and usually armed so you need to sneak around to take them out, lest Batman get overwhelmed. Honestly it gets old after a while, especially in the rooms that have a dozen enemies or more. Get to the face punching, Bats.
Maybe it’s unfair to put this in here since Dishonored is a stealth game. Or an action-adventure game. It’s up to the player. Sort of. You can choose to go around killing everything, or you can ostensibly get through the game without killing anyone (or at least very few people). How many people you kill can impact the ending of the game.
I tried to go the no-kill route when I played. That lasted about 12 minutes. Since the no-kill experience was ruined I had no choice but to turn into the most murderous bastard alive. The problem? The combat sucks. It’s clunky and not fun at all. So while the stealthy route is presented as a choice, it’s not much of one. You either go the mechanically solid but very slow stealth route, or you go through the game being subjected to the shitty shooting mechanics. In this case, the best choice to me was to quit.
There is one game that, surprisingly, had stealth sections that I found very enjoyable.
Wolfenstein: The New Order
Wolfenstein is one of the best games I’ve played this year. It has a good story, really solid shooting mechanics, and all the weapons feel unique. It also has stealth. What is it that makes stealth in Wolfenstein feel so rewarding, while most games make it feel like a chore?
I can’t totally put my finger on it, but I have a few ideas. The first person perspective makes things more interesting. Whereas in The Last of Us I was watching Joel stab a zombie in the neck, in Wolfenstein I felt like I was stabbing things in the neck. Hmm… that sounds a bit psychotic now that I’ve typed it out. Anyway, the first person perspective was certainly more immersive.
Wolfenstein also made great use of sound to let you know when you were safe or not. From dogs softly snoring to Nazis in mech suits stomping around, you didn’t necessarily have to see your enemies to know they were there. I find relying on sound much more interesting than the magical ability to see through walls.
The biggest reason, I think, is that failing at stealth in Wolfenstein had a much different result than failing in other games. If you got spotted in The Last of Us, the ensuing scramble would likely bring every enemy running. And then you’d die. If you got spotted in Batman when you hadn’t taken out enough armed enemies, everyone would start shooting. And then you’d die. When you get spotted in Dishonored you have to take part in unenjoyable combat. Or die. In Wolfenstein, what happens after you’re discovered is still enjoyable. It might make things a bit harder, but it’s not a death sentence most of the time. Plus, the ensuing firefight is always a heck of a lot of fun.
What are your thoughts on stealth? Any particular examples stand out as good or bad uses of it in games?