Tag Archives: Vampire: The Masquerade – Bloodlines

The 10 Best Games Ever (according to me)

Today I stumbled across a post on I Hate Loading Screens about her top 10 games, and thought it was a great idea for a blog post.

So here is my list of the 10 best games I’ve ever played.

Planescape Torment

1. Planescape Torment – I talk about this game a lot. And there’s a reason for that – it’s fucking amazing. I’ve always been a fan of isometric RPGs and Torment is the best of the bunch by far. The story is great. The characters have backstories and personalities and feel as real as video game characters can get. The game is full of lore, every object you pick up can have it’s own story that sends your imagination on a joy ride. It’s text heavy and the text is beautifully written. Gameplay is also strong, and allows you to master different classes and switch between them. It also allows you to choose how to approach situations, with brains, brawn, or subterfuge.

If, by some chance, you like RPGs and have not played this, I can probably hook you up with a GoG code. Comment/message me if you want one.

Pandora Directive box art

2. Pandora Directive – Of all the adventure games I’ve played over the years, this one is the one I’d call the best.  Pandora Directive puts Sam Spade-inspired PI Tex Murphy on a missing person’s case that soon unearths a vast conspiracy. The gameplay combines point and click mechanics with first-person exploration to great effect. During the course of the investigation Tex solves puzzles, makes contacts, and shares wisecracks about everything. Pandora Directive has sharp, funny writing and allows the player to shape Tex’s character through branching dialogue trees (way before Bioware made this popular), which can lead to a number of different endings. All the Tex Murphy games are great, but this one is the best. The combination of noir setting with humour really works for me.

Beyond Good and Evil

3. Beyond Good and Evil – Besides having one of my favourite protagonists of all time, Beyond Good and Evil has an interesting story and really solid, fun gameplay. As Jade, you need to take on the DomZ, aliens who are enslaving humans. The game world of Hillys features a really cool combination of sci-fi and fantasy elements and features stylish visuals and a really cool soundtrack. Gameplay is diverse, featuring action, combat, stealth, platforming, puzzle solving, and hovercraft racing. All of these elements are done really well. It also features a photography mechanic which is used both to gather evidence about the conspiracy going on and to catalogue all the species of Hillys. I’m a sucker for photography in games when it’s well done.

Shadow of the Colossus

4. Shadow of the Colossus – There’s a certain beauty to exploring a vast and empty land and having a story that isn’t really spelled out for you. Shadow of the Colossus is one of the most moving gaming experiences I’ve had. It’s technically an action game, but the action is confined to one very specific thing – battling colossi. Each battle is a puzzle, where you need to find the beast’s weakness in order to defeat it. As the game progresses these fights become no less exhilarating, but take on an aspect of sadness and you start to wonder why you’re killing these magnificent creatures.

XCOM Enemy Within

5. XCOM: Enemy Unknown/Enemy Within – Set during a global alien invasion, XCOM puts you in the commander’s chair of an elite organization that represents humanity’s last hope against the invaders. It expertly combines tactical turn-based combat with resource management and strategy. Managing your base is a balancing act of researching alien tech so you can adapt it for your own use, building items and facilities which aid in combat, and reducing worldwide panic by deploying satellite coverage and shooting down enemy UFOs. Everything about this game is compelling, and while I generally play through games like this once then declare “I won,” XCOM is a game that I’ve played through multiple times. Just turning on Ironman mode makes this an entirely new experience.

Shadow Hearts: Covenant box art

6. Shadow Hearts: Covenant – The PS2 was an amazing console for JRPGs and of all of them, Shadow Hearts: Covenant is the one that won my heart. Set during WW1, Covenant takes an unlikely group of protagonists across the globe in order to stop a group of sorcerers intent on world domination. Admittedly, it’s not the most unique story, but it’s the game’s execution that makes it special. Shadow Hearts introduces some really likable characters and puts them in some seriously goofy situations. It’s the humour that really sets this JRPG apart, and there’s a lot of it. It also gives some unique character abilities, from having a character who uses tarot cards and aromatherapy in combat, to a puppetmaster whose doll gains abilities from new outfits, to a vampire who changes forms from golden bat to muscle-bound pro wrestler. From a gameplay perspective, one of the best things about the game is the Judgement Ring, which turns turn-based combat into something much more active and interesting.

Star_Ocean_Second_Story

7. Star Ocean: Second Story – Another amazing  JRPG. Like many JRPGs, the story is a bit of a save the world cliche (though it does add a lot of sci-fi elements to the usual fantasy tropes), but it’s the details that make this game great. First, you get to pick your main character. You can be the attractive, broody, sword-wielding young man with spike hair OR you can play as the naive young woman with magical abilities. Okay, I’m doing a bad job selling this. Your choice of character makes subtle changes to the story, including which other characters you can recruit, and changes some of the story that you get to see, so that’s cool. Second, crafting. You can write, you can blacksmith, you can cook, or compose music or create art. It’s a really robust crafting system that lets you create a ton of usable and special items. If you get good enough at cooking you can even compete in an Iron Chef-like tournament, which is amazing. I’m not generally a fan of crafting in games, but in Star Ocean it is so much fun. Third, the combat is really interesting. Rather than turn-based, combat is more active with you controlling movement and actions on the battlefield. Also, 4 characters participate in each battle, and 4 is better than 3. There’s also an emphasis on building relationships with the other characters in your party and Private Actions let you talk to each character individually.

Mass Effect - Commander Shepard

8. Mass Effect – I refuse to pick one game, Mass Effect is best looked at as a series. Why is Mass Effect awesome? Well, primarily because of Commander Shepard and Jennifer Hale. Shepard is an amazingly kick-ass space action hero and Mass Effect is one of the few games where I enjoy both the Paragon and Renegade character development track. In a lot of games the renegade/dark/evil options just make your character into an asshole, but Mass Effect gives options that are pragmatic and direct rather than just being jerky. Character development is great, relationships in the game get into your head and never let go, choices are hard. Mass Effect features some really memorable characters and the trilogy as a whole is an experience that covers not only the thrills and dangers of saving the entire galaxy but also has a ton of smaller, quieter moments that make the games special. Also, it’s a very solid 3rd person shooter.

Vampire The Masquerade: Bloodlines

9. Vampire: The Masquerade – Bloodlines – Set in White Wolf’s World of Darkness, VtMB and is an atmospheric and immersive RPG. As a freshly sired vampire you need to navigate through an eternally dark Los Angeles, making friends and enemies, feeding on mortals, fighting foes, and surviving vampire politics. The game is not without flaws, there are some pretty nasty bugs, but the story and interactions in the game more than make up for them. The lore of the game is deep, each vampire clan has its own strengths and motivations. You can choose whether to abide by the rules of the Masquerade and what clans to align yourself with. The writing and voice acting in the game is top notch, and there are some truly creepy moments.

Final Fantasy x-2

10. Final Fantasy x-2 – Final Fantasy X was a great game, and X-2 leveraged the great world and characters it had set up and added some amazingly fun new gameplay. Yuna becomes the heroine and teams up with Rikku and new character Paine to spread girl power throughout the land (and save the world, obviously). Though there are some cringey bits (I find serious musical numbers in games to be immensely uncomfortable), the sheer amount of fun this game offers more than makes up for it. Combat has evolved past that of FFX. It’s faster, it’s slicker. Characters can use numerous different dresspheres which offer completely different sets of abilities and a snazzy new outfits. The mini-games like Sphere Break and Gunner’s Gauntlet are amusing diversions and the quest-focused story works really well.

Well, that’s my 10 (right now). I seem to have a thing for RPGs. And here’s a video where I share some more thoughts on what makes a game good enough to be called favourite.

What are your top 10 games?

Quality vs. Enjoyment

A lot of video games have received unconditional love from me in the past, even when they are peppered with mechanics and design choices that frustrate or puzzle me. It can sometimes be hard to reconcile. How can a game have so many faults, but still be so enjoyable overall?

Take Mass Effect 3 for example. While in many ways (most notably combat) it improved over the first two games in the series, there were also a number of things that bothered me to no end. I’ve been slowly replaying it and often find myself yelling at the TV over poor design.

  • Side quests that are completely lacking in context. Run through the Citadel, and your quest log fills up with 2 dozen fetch quests. Occasionally you overhear people talking about these quests, but you don’t need to stop or listen to them, the quest just appears as if you’ve accepted it. There’s rarely any information offered in the quest log other than what star system the item can be found in. These kinds of quests are terrible for immersion.
  • Related to the issue above, the quest log in general sucks compared to the first two games. A bare minimum of information is offered.
  • There’s no sense of place. Every location is restricted to small, contained areas. You fast travel everywhere.
  • Speaking of fast travel, the Citadel Rapid Travel terminals are still in the game and you can interact with them, but you can’t actually use them. You need to use the elevators instead. (Why the hell can you interact with them when you can’t use them?!)
  • The entire game is fan service. Except the ending. Ba dum pssh.

Or how about the Twin Peaks-inspired Deadly Premonition? This game is a cult classic which people tend to either love or hate. I just finished this game after starting it more than 2 years ago, because I could only take the game (specifically the combat) in small doses.

  • Poorly designed combat. Tank controls, an awkward control scheme for aiming, not being able to aim and move at the same time, bullet sponge enemies.
  • The worst final boss fight ever. Long range shooting is awful.
  • Everything is so slow. When you examine something or try unsuccessfully to pick up some ammo but can’t because your inventory is full the text appears, one letter at a time, at a glacially slow pace. You can hold down a button to speed it up, but it’s still slow. A lot of the time as you’re smashing buttons trying to make it go faster you accidentally examine the damn thing again.
  • Lack of inventory space, and irritating inventory management.
  • Cliche “serial killer murdering women” story.

Wasteland 2 was just released a few months ago, but is an old-school isometric RPG in pretty much every way. In trying to hold on to the Fallout 1/2 aesthetic and feel, it makes a number of design decisions which just don’t appeal to modern gamer sensibilities.

  • Terrible inventory system.
  • Weapons that jam, effectively wasting a whole turn in combat.
  • Antiquated skill system. Try to pick a lock or brute force a door and you’re shown the % chance you have of doing it successfully. A lot of time is spent repeating these actions when you fail and if you critically fail, the item you’re working on just breaks and you can’t access it anymore.
  • No ability to respec your party’s skills (unless you hack the save file, which I did a lot), meaning if a party member leaves or dies you might be left with no one who can pick up that skill at a high enough level to be useful.
  • Ugly character models. If you want to make your own characters rather than use the pre-made ones, the character portraits are also hideous.

Vampire: The Masquerade – Bloodlines is a game I call one of my favourites of all time, despite it having a host of problems.

  • Bugs! So many bugs. From minor annoyances like graphical clipping, to crashes, to game breaking issues at certain points of the story.
  • Character designs look nice in close-up, but watching your character move in 3rd person view just looks wrong.
  • While the beginning locations of the game are wonderfully detailed and rich, as you get towards the end it seems like the quality drops off.

Then there are point and click adventure games. All of them. Well, maybe that’s unfair. Let’s say 90% of them. Convoluted solutions to simple problems are a mainstay of the genre. Almost every adventure game I’ve played has had that moment (or many of them) where I have no clue what to do and furiously try to combine each item in my inventory with the others, or with the environment. Or painstakingly move the mouse cursor over every pixel, trying to see if I’ve missed an object. Often the solutions to puzzles are things no logical human being would ever think of. Like combining an inflatable duck with a bandaid, a metal clamp, and a rope to retrieve a key from the subway tracks. Or throwing a pie to ward off a  yeti, as opposed to using a weapon or magic. It’s like they were designed to sell hint guides (when those were still a thing).

It might seem like I’m writing this post just to rant. There may be a little truth in that, but overall it’s about how many problematic elements I’m willing and able to overlook in games because the whole is better than the sum of its parts.

Mass Effect 3 saying goodbye to Garrus

Mass Effect 3 may have many frustrating design decisions but I still love it because, well, feelings. I’m attached to Commander Shepard, Garrus, Joker, EDI, and the rest of my crew. I love seeing them interact with each other, I love running into characters from previous games, and watching the story come to an end is both heartbreaking and satisfying. Plus I love being a renegade and punching out anyone I can.

Deadly Premonition talking to Zack

Deadly Premonition is certainly not top quality at a technical level, but it pays homage to one of my favourite shows in an oddly sweet fashion and features so many quirkily lovable characters that it’s hard to resist. What’s the frustration of one 8-minute long quicktime event compared to the strange joy of listening to the hero talk to his other personality about attending punk concerts as a teenager?

Wasteland 2 ET cartridges buried in the desert

Wasteland 2 may have used some stale mechanics, but that doesn’t overshadow the detail and love that went into it. The annoyances didn’t prevent me from spending 50 hours in the game, and enjoying most of them. For every annoying dice roll fail there’s some great little detail that brought a smile to my face, from finding Teddy Ruxpin dolls to the hidden cache of Atari ET cartridges. Choices mattered in the game, and being set in a post-apocalyptic wasteland meant a lot of times where were no right or wrong decisions, just different shades of gray.

Vampire: The Masquerade - Bloodlines dialogue with Jeanette

VtM:B may have been riddled with bugs on release. It may have once broken my save file right at the end of the game so I couldn’t finish the game. However, it’s also one of the most darkly atmospheric games I’ve played, with a deep backstory drawing from the World of Darkness RPG, and a collection of great characters. Though I’ve only beaten the game once, since the quality does dip a little near the end, I’ve played through the Santa Monica section more times than I can count and playing as a Malkavian makes a great game experience even better. I’m not the only one who loves this game. Ten years after its release, fans are still making and releasing patches to iron out all those bugs.

Quest for Glory 4. Hero in front of the monastery

And adventure games? Well, they may be frustrating and highly illogical, but not enough to stop me from replaying my favourites like Quest for Glory, The Longest Journey, or Gabriel Knight every few years.

So, does a game need to be of “good” quality in order to be enjoyable? Clearly not. I can overlook quite a lot of issues in games and still find the overall product most satisfying. Pull at my heartstrings, give me a great story and atmosphere, unique and interesting characters, or just amazingly fun gameplay and I can overlook a lot of negatives.

Of course it’s not just technical or mechanical issues that can detract from games. Another question I ask myself a lot as I play games is how problematic portrayals of characters – generally female characters – impacts my enjoyment of those games. This will be a topic for another time though. As soon as I finish Saint’s Row: The Third I’m going to have a lot to process and talk about. It’s something to think about.

Creepiest Moments in Games

It’s October, and time for all things scary and disturbing. No I’m not talking about GamerGate (ba dum pssh), I’m talking about scary games. I can be pretty wimpy when it comes to on-screen scares, but I’ve still played my share of horror games. The thing that tends to get to me most in horror games is the sounds. I can handle jump scares or gore, but too many scary noises and I’ll likely need to turn it off and take a break.

Here are some of the creepiest moments from games I’ve played.

Silent Hill – Radio

SH was one of the first horror games I ever played. It was the first horror game I quit after barely an hour because I was too creeped out to go on. Watching the beginning of this video, with less than impressive PS1 graphics and wooden voice acting, it may be hard to believe that this game could be really scary, but it was. That radio sound… /shudder. And it wasn’t just an awful sound, it mean that something was coming.

Fatal Frame 2: Crimson Butterfly – Laughter

Fatal Frame 2 takes the cake for scariest game I’ve played. Creepy twins, ghosts, a combination of both jump scares and intensely creepy situations. Plus there was a scene with a well, and those have been traumatizing since The Ring. The malevolent, maniacal laugher in this scene was the worst.

Slender – The whole damn thing

This game is intense. I will admit that I’ve never actually played this game myself, but I’ve watched over the shoulders of a couple other people playing it. Well, trying to play it. They both quit before they found all 8 pages. The game environment is very sparse, but that adds to the terror. The worst part is the sound  the game is filled with the sounds of your footsteps, ragged breath, and pumping heart. As you find pages, things get even worse as the camera starts to shake and the creepy sounds go into overdrive.

Vampire: The Masquerade – Bloodlines – Ocean House Hotel

VtMB isn’t really a horror game (though some of the bugs and character models can be quite horrifying), but it’s definitely filled with creepy moments. The haunted Ocean House Hotel is the scariest part. You’re sent to find something that will exorcise the spirits from the house and you discover the story of a man who went crazy and killed his family (it’s very Shining-like). While you’re going through this, you encounter ghostly apparitions, poltergeists who send objects flying at you, and doors that open on their own.

 Alan Wake – Chapter 1 Nightmare

I just started Alan Wake recently because I figured I should play something scary before Halloween. I’m not finished yet, but so far it’s a lot of fun. It’s very cinematic and no too scary, but the combo of maniacal laughter and being trapped in this scene (about midway through the video) right near the beginning of the game really creeped me out.

 What games creep you out?