I’ve been thinking a lot about Bioware games lately, and the role of class and race in storytelling. It was just Bioware month after all – did you catch me on Justice Points? If not, check it out.
In the typical Western fantasy RPG that lets you create your own character, there are two big choices to make at the start – the class you want to play and the race you want to be (and your hairstyle, obviously). Your class – warrior, rogue, mage are the big three though some games offer many more specific classes like druids, priests or rangers – dictates the types of abilities you can use. Your race – Human, Elf, Dwarf, Halfling, etc. – can impact what classes you can choose and may give you certain traits or attributes.
What class you play in RPGs generally has the most impact on mechanics and how you solve problems as opposed to the narrative. Where a warrior may break down a locked door, a rogue may pick the lock or pickpocket the key, and a mage might use a Knock spell. Some games offer quests or things like guilds that can only be accessed by players of a certain class, but these generally don’t have a huge impact on the story. Combat is a big problem to be solved in most games, and class has a huge impact on that. The combat experience of a sword & board warrior is quite different from that of a spirit mage and most players have a preference when it comes to combat style.
Many RPGs can boast that your decisions and character background shape your game experience in some way, but the Dragon Age series in particular takes things a bit further. As evidenced by the name, the first Dragon Age game puts a lot of emphasis on the origin of your character. You can choose to play one of 6 different origin stories – You can be a Daelish elf or a city elf, a Dwarf Noble or commoner, or a Human Noble. Or you can be a Mage. Each of these 6 character types has it’s own unique origin story that acts as the prologue of the game, but the difference in experience doesn’t stop there. If you’re a dwarf from the Noble caste, you’ll have a different experience and understanding of what happens in Orzammar than you would if you were a human. If you’re a city elf you’ll have different conversations when you revisit the alienage in Denerim. If you’re anything but a human noble Alistair will stomp all over your heart after you make him King. Yes, this is a lingering trauma. These little differences based on your origin, along with the changes caused by your choices make the game worth replaying. That’s not where the differences end though, as the Mage class throws you a curveball. While being a warrior or a rogue makes no difference to the game’s narrative and doesn’t impact your origin story, being a Mage changes everything. When you’re a Mage you get a whole different origin story and whether you’re a human or an elf (dwarves can’t practice magic) doesn’t matter. Being a Mage trumps everything else.

From a narrative standpoint, this is thematically appropriate and is a great bit of world building. The tensions between the Circle of Mages and the Chantry is one of the defining parts of Thedas. When it’s discovered that someone can use magic they’re shipped off to the Circle where they live under constant surveillance, it doesn’t matter where they came from or what race they are. It makes total sense that being a Mage is going to have a great impact on your experiences in the world as opposed to being a rogue or warrior which really has no impact on story.
Choosing the Mage class in Dragon Age 2 also has a significant impact on how you experience the game. As you make your way to Kirkwall with your family, one of your siblings is killed and who it is is based on your class. If you’re a warrior or a rogue, you go through the rest of the game with your sister, Bethany, a Mage. If you’re a Mage yourself, it’s Carver, the warrior who survives and may become a Templar later on.

Again, this makes sense from a narrative standpoint. The troubles between the Circle of Mages and the Chantry and Templars is even more at the forefront of this game, eventually reaching a boiling point. Much more tension is created by putting your sibling on the opposite side of the issue from you. Also, it aids in the ability to create a balanced party at the start of the game.
However, as much as it makes sense in the scope of the game world, having your class impact your experience of the story so much causes some issues for me. I like being a mage, I find their abilities more interesting than the other classes and I find them more fun to play. The spells have real synergy and you can change your combat strategy quite considerably based on which skill trees you invest in. There are area of effect spells, direct single target spells, spells that hit in a cone, plus buffs and heals for your party. Warriors are really dull to play. Rogues are a bit more interesting, but still rather button mashy. From a pure mechanics standpoint, I always want to play a mage. That means I’ll probably never get to see things as a Daelish elf in DA:O. In Dragon Age 2 I always have to make a choice – play the class I prefer and never get to experience Bethany’s story or choose a class I’ll have less fun with so I can see this other side of the game. It’s a long game and playing as a class I don’t like will definitely impact my enjoyment.
I can’t think of any other games where the class you choose so greatly impacts the events of the game. It makes sense, in the world of Thedas, that being a mage limits your options. But in the real world, where I want to have fun while playing games, it’s disappointing that fun combat mechanics and differing narrative experiences can be at odds with one another.
One Girl Gamer to Rule Them All
Walk with me, if you will, into the mire that is YouTube comments…
Well, that’s a shitty invitation if I ever heard one. Are you still here? As my YouTube channel has been growing, so has the amount of terrible comments. I guess you can say that’s to be expected, though that’s really fucking sad. Some comments are so awful they can be immediately brushed off as coming from terrible, sad, angry people, such as “Fuck this dumb hoe” or “Die you cam slut whore”. Though, I would ask everyone not to refer to these kinds of comments as trolling. “Die, bitch” isn’t trolling. It’s harassment. I share the worst comments on Twitter because I like to call out this stuff, but it’s kind of losing it’s novelty. Can you believe at one point I thought to myself “Hey, my first harassing comment, I’ve made it.” The Internet is gross.
Anyway, those aren’t the comments I want to talk about. There’s another kind of comment, a more sneakily sexist kind. It intends to be complimentary to a woman but it does so by putting all the other women gamers down. Things like:
“You’re the first girl I’ve seen review video games, and you’re great at it!” This one is puzzling and makes me assume you live under a rock.
“It’s nice that you don’t get too much into gender politics and focus on content.” As back-handed as it gets. I like you, because you don’t talk about things that try to make me see the world from someone else’s perspective. Also, it assumes that anything outside of gameplay mechanics is not real content and makes me want to talk about gender politics more.
“Nice to see a female gamer who is about something more than sex appeal.” I suppose that if I were to wear more low-cut tops (of which I own many), my credibility would fly out the window. Everyone knows that being interested in games and wanting to look hot are in direct opposition to one another (just as these kind of comments are in direct opposition to the ones I receive that focus solely on my looks and ignore what I’m talking about).
“It’s so nice to find a female YouTuber who’s actually a fan of gaming” or “Wow, a girl who knows about games!” Because all those other women talking about games (which don’t actually exist according to commenter 1 above) are faking it. Hours and hours dedicated to videos and streams on a topic they don’t even like, those liars.
This last one is the one that bothers me the most. A compliment that depends on comparing you to other women and putting those women down isn’t much of a compliment at all. I’ve gotten it on my channel, I’ve seen it on many other women’s channels. A man will decide that this woman is the one true female gamer, to be put on a pedestal. This woman knows what she’s talking about, she really loves games, she doesn’t spend too much time talking about things they don’t like. She stands head and shoulders above all the other women, who pretend to like games for attention or to push their social agendas. She’s real, and the rest are fakes.
This kind of thought process is really sick and kinda scary. Women gamers aren’t some special fucking unicorns. They’re everywhere and what they wear, or the games they prefer, or whether they’ve been playing games for 1 year or 30 doesn’t make any one of them better or more real than any other. If you like me because I talk about retro games, shitting on the women who don’t doesn’t make me feel special, it makes me think you’re an asshole.
There’s this pressure to respond positively to these kinds of comments because hey, they like my stuff, they’re trying to be nice. But these really aren’t compliments, this isn’t nice. I mean, at least they’re not calling me a whore? That’s a pretty fucking low bar, because comments like these are indeed sexist. What if men on YouTube were treated the same? What if each viewer felt that there could only be one true male gamer, and the rest were garbage? There would certainly be a lot less content to chose from. Want to see more women talking about games? Stop making it a competition. Of course, I don’t think that seeing more women in games is really the desired outcome from the people who make these kinds of comments.
Tips for Commenting on YouTube
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Posted in Feminism, Opinion, Rant, Video
Tagged comments, feminism, gaming, girl gamers, harassment, sexist, threats, trolling, youtube