Category Archives: Observations

Under the Covers

I’ve been playing the remaster of Saints Row 4 on XBox One and thoroughly enjoying it. Besides engaging gameplay, zany antics, and ridiculously juvenile yet hilarious jokes, Saints Row boasts one of the best character creators I’ve seen in a game. When you create The Boss you have a ton of options. Aside from choosing your sex, you can choose your race and your skin colour. You can choose from multiple different voice actors with different accents to voice your character, and further customize the pitch of your voice. You can make your character appear young or old, and choose a body build that you like. Then there are a thousand different clothing options. And if you ever want to change things up, you can do so at any point in the game.

My character is what I’d like to look like in a video game. She has purple hair, some meat on her bones, and some major eyeliner and brow game. She’s voiced by the wonderful Laura Bailey who I wish I sounded like. But every time I load up the game, I’m greeted with this guy.

Saints Row 4 cover and loading screen art

Who the fuck is this guy?

He’s certainly not me. He’s not in my crew. I’ve never seen him in my game.

I love playing the game but every time I’m met with this image, which is also the art on the game box, there’s a moment of cognitive dissonance. The canon protagonist (at least in marketing materials) has nothing to do with my experience of playing the game. It seems so incongruous to offer up this great character creator that lets people create the kind of protagonist they want to play, but then show us a design that’s likely completely different anytime there’s a chance.

Saints Row is obviously not the only game that has done this.

Covers for Dragon Age 2, Fable 3, Sunset Overdrive all showing a white male main character

Dragon Age 2, Fable 3, and Sunset Overdrive also all portray the protagonist as a white male despite offering other options to the player.

The Mass Effect series boasts a decent character creator (though it’s not as robust as Saints Row’s), but all of the artwork around the first 2 games still features a default white male Shepard. Incidentally, he kind of looks like the guy from the Saints Row cover with a buzz cut.

Mass Effect 1 and 2 cover art

For Mass Effect 3 Bioware’s marketing department realized some people had recognized the superiority of Jennifer Hale’s Shepard (I refuse to use the term femShep, because she. is. Shepard.) In a puzzling move (or not so puzzling if you want to absolve yourself of all responsibility), Bioware put the decision on how she would look to a fan vote. Blue-eyed, blonde-haired, Caucasian Shepard won the popular vote in what could be boiled down to a beauty contest. Then there was a second vote to decide her hair colour. Yep, hard-ass, space Commander, first human Spectre Shepard had her skin colour, features, and hair style voted on by the public. Now that there was a canon design for both the male and female Shepard, Mass Effect 3 had a reversible box cover (of which maleShep was still the default).

Mass Effect 3 covers

I’m afraid that marketing departments just can’t win with me. Though I can (and have) flipped the cover of my Mass Effect 3 box for 360 to show the version of Shepard that’s closer to my own, it’s still not my Shepard. My Shepard is an N7 Marine and she sure as hell would never have a haircut that allowed bangs to obstruct her eyes. That’s really not safe for combat. While having an option for female box art is something, it still doesn’t take into account how people have created their own version of Shepard. Why does she have to be white? Why does she need to have delicate, conventionally attractive features? Why does she have a design that you can’t really even replicate in-game while box art maleShep and in-game maleShep can look pretty much identical? These are the great mysteries of the Mass Effect world.

I think the best way to market games that allow you to customize your character is to not show the protagonist in the artwork. It’s the only way to avoid that sense of dissonance and the feeling that if you’re not playing as scruffy white male #42, you’re not playing the character as it was designed. A number of games have done this, and I don’t think any have suffered from not putting a face on the box art.

Dragon Age Inquisition box art

The box art for Dragon Age: Inquisition has an enticing design that shows something of the story, without committing to a specific character design. This should work for most characters. Unless you play a dwarf, then you’re out of luck.

Dragon Age Origins box cover

Dragon Age: Origins has artwork that doesn’t give any indication of a canon Warden, while still being quite effective.

Fallout 3 and New Vegas box art

The newer Fallout games both feature heavily armored figures which don’t give away sex, race, or appearance, but tell you a lot about the game world. Though I’m sad to admit I always assumed the figure on the cover of New Vegas was male just because of lack of sculpted boob plate. But when I force that stereotype out of my head, it could really be a man or a woman.

Why spend so much time and effort giving players robust character customization only to default to the standard scruffy white male protagonist in all the marketing materials?

 

Game.Stop, a short fiction

“Did you know you can trade in your old games for credit towards your purchases?”

My eyes glance around the store. A 5-foot tall poster tells me to Go Green Save Money by trading in my old games for someone else’s old games. Empty game cases line the walls, each one’s cover art marred with a bright green Trade Me sticker. I look down to my left, then right. On each side of me is a bin that shouts Recycled and is filled with more games, more green stickers. Finally I look down at the counter, covered in flyers promising me the best value if I trade in the most wanted titles. I could get up to $30 if I trade in The Order, a game I paid $70 for when it came out 9 days ago.

“Yes” I say flatly.

She continues, undeterred. “Right now we’re having a promotion where if you bring in 5 of your old games that are worth $8 or more we’ll give you $100 towards…”

This isn’t the first time I’ve heard her go through this speech. In fact, I had just heard her recite it to the two customers in front of me. The glint in her eyes seems to dim with each repetition. While the words fall out of her mouth in the way only things so rehearsed and meaningless can do, I wonder what she’s really thinking.

“…we’re also currently taking pre-orders on the new Amiibos that are coming out…”

I imagine she was initially really excited to get this job. The money probably sucks and I doubt customer service was her first choice, but the love of games made up for it. Who could complain about getting paid to be around and talk about games all day? I bet it was fun for a while. Thumbing through the shelves each day she probably discovered all kinds of new games she wanted to play. Her first few paychecks likely went right back to into the store. The employee discount was small, but at least it was something.

“…there’s still a bonus if you trade in your old 3DS for the New 3DS, which is compatible with the Amiibos…”

I wonder how quickly it started going downhill. When was the first time her manager took her aside and admonished her for chatting about games too much and touting the amazing trade-in deals too little? Told her it was mandatory to recite at least 5 of the current offers to any customer she cashed out or spoke to on the phone. Reinforced that she should always ALWAYS sell used copies of the games over new.

“Would you like to guarantee your game for only $2?”

How many times has she been told to get those guarantee sales up? How often is she compared to her obnoxiously overeager coworker who always has a smile plastered onto his face and is unphased by the dirty looks he gets as he goes on, and on, and on.

“No thank you.” I smile in a vague attempt to offer my sympathy for having to ask this question..

“Are you sure? In case of any damage or scratching we’d replace the disc…”

As much as this overly long sales pitch makes me want to scream, I stay quiet. It’s not her fault this is what her job requires of her. She knows this is a racket, that her place of employment is basically picking the pockets of the game companies, a number of whom make games she loves (and some of whom she couldn’t care less about). That fact is probably easy enough to put at the back of her mind though, while me telling her what I really think of her sales pitch would not be so easy to ignore.

I shake my head.

“Do you have an Edge card?”

I’m sure she’s seen her fair share of customers who are less concerned with being polite. Seeing people’s eyes glaze over as she begins the checkout process is probably the best she has to look forward to. Outright verbal abuse hopefully doesn’t happen often but she’s a sales associate, so I’m sure it does happen.

As I hand her my loyalty card and payment I hear her coworker haranguing a couple browsing through the XBox One games behind me.

“Did you know you can trade in your old games for credit towards this purchase?” he asks eagerly.

“We don’t have any games to trade with us.”

“That’s okay, if you bring them in with your receipt later on I can reimburse you for the value of the games.” I glance over my shoulder and see that he’s standing very close to the couple, nodding as he talks.

“Well, I’m not sure our son has anything he’d be willing to part with,” the woman responds, glancing at her husband.

It’s not hard to tell that the couple is uncomfortable and just want to pick out a game.

“Well, you can bring in anything, even if the discs are scratched…” he just keeps going.

I think back to when I was a teenager and I used to like visiting Electronics Boutique. The walls were lined with shiny new copies of Playstation, Nintendo, and big box computer games. Now the PC games are all but gone. If there was ever a valid argument for the merits of PC gaming it’s that game stores don’t harass you about recycling them.

I quickly take back my cards and the bag the woman at the cash hands me and start rushing out of the store.

“Don’t forget to bring your games back to us when you’re done with them.”

I promise myself I won’t go back there. Again.

Dragon Age 2 is a Better Game than Dragon Age: Origins

After playing Dragon Age: Inquisition, I had the urge to replay through the Dragon Age series. I started with Dragon Age: Origins and I have to admit, it was a little rough going. I think part of the problem was my choice of class. 2H warrior combat consists of pressing an ability button about 3x per minute, it’s really dull. Then I started Dragon Age 2 and I have to say, it’s a much better game.

Oddly, many people don’t agree with this. From a critical perspective (at least a metacritic perspective), DA:O has an average review score that’s a bit higher (8-9% depending on platform) than DA2. As far as user reviews go though, DA2 received a deluge of really bad review scores and has an average score of 44% compared to DA:O’s 86%. Because gamers are spiteful creatures, a little like Hurlocks.

That’s not to say DA:O is bad. It’s a good game and I like it but DA2 does almost everything better. Like…

Dialogue is better

  • Going back to DAO’s voiceless protagonist is very strange. The Warden doesn’t feel like an actual character, she’s an empty vessel. This is a huge downside to DAO.
  • The dialogue wheel is much more interesting and effective than static response options.
  • In DAO the mean/negative/renegade? conversation options just make your character sound like an asshole, while in DA2 the conversation options are more snarky or direct. Playing through the Dwarf Noble origin story, most of the “bad” dialogue options basically amounted to “Get away from me you lowly peasant.”
  • In DAO, despite women being present in all the major battles, and in positions of power and leadership throughout Thedas, female Wardens are still subjected to “What? You’re a woman? How shocking!” reactions all the time.

Relationships with your party members are better

  • No trading random gifts for sex or acceptance.
  • Each of your party members has their own life, it’s not 100% about the player character. You can visit them in their homes, they can visit you at yours. They can have relationships with other party members or NPCs which can grow over time.
  • Other characters can disagree with you, but still stick around.
  • In DAO it’s really easy to miss or even kill possible party members. If you didn’t know Zevran was supposed to be a party member, all you need to do is make one choice and you kill him and miss a lot. Likewise with Wynne – agree with Cullen in the Tower? She attacks you, you kill her, no healer for you this playthrough.

Combat is 700x better (I did the math)

  • From an animation standpoint, everything is faster and slicker.
  • You can move around the battlefield much quicker, rather than feeling like you’re wading through quicksand.
  • Talent trees are bigger, more interesting, and allow you to customize your character much more.
  • By the end of DAO you pretty much have every talent you can use so your choices meant very little.
  • Your companions get enough tactic slots for all of their abilities.
  • You can take your dog into fights with you without having them take a spot in your party.
  • When you tell a character to take a potion, they take the damn potion.

Story is better

  • I enjoyed the story from DAO, especially the first time around, but it’s a fairly generic fantasy.
  • DA2 has a lot more depth. There are more politics, there’s more nuance. Elements from other parts of Thedas get incorporated into quests or character back-stories rather than just referred to in one of the 7 billion codex entries.
  • Since the story takes place over a number of years, you can see how Hawke is making a difference in Kirkwall and in the lives of its people. The scope of the location is small, but the scope of the story and timeline is much bigger.

UI, inventory and controls are better

  • Having your party members have a single set of armor that can be upgraded, makes inventory management much less tedious. You can still customize their weapons and accessories but don’t need to worry about armor, boots, helms, and gloves. It’s also easier to tell when something is an upgrade.
  • Besides gear, there’s less junk to manage. At once point in DAO I had 20 gift items taking up space in my inventory, there’s none of that anymore. Also, quest items you pick up can’t be accidentally junked or sold.
  • Runes are much simpler to manage. Their effectiveness depends on the level of gear you’re adding them to so you don’t have to worry about different rune levels like journeyman, master, etc.
  • It’s much easier to tell your other party members to stay put, or move as a group. They get in your way a lot less often.
  • There’s more useful stuff to find, like items that start side-quests, recipes, or armor upgrades. This makes looting everything much more useful – you have a chance to pick up something other than yet another damn Darkspawn Dagger.

So that’s that. I know the big complaint is that DA2 recycled dungeon areas which, I’ll admit, isn’t good but in the grand scheme of things is rather minor.

The 10 Best Games Ever (according to me)

Today I stumbled across a post on I Hate Loading Screens about her top 10 games, and thought it was a great idea for a blog post.

So here is my list of the 10 best games I’ve ever played.

Planescape Torment

1. Planescape Torment – I talk about this game a lot. And there’s a reason for that – it’s fucking amazing. I’ve always been a fan of isometric RPGs and Torment is the best of the bunch by far. The story is great. The characters have backstories and personalities and feel as real as video game characters can get. The game is full of lore, every object you pick up can have it’s own story that sends your imagination on a joy ride. It’s text heavy and the text is beautifully written. Gameplay is also strong, and allows you to master different classes and switch between them. It also allows you to choose how to approach situations, with brains, brawn, or subterfuge.

If, by some chance, you like RPGs and have not played this, I can probably hook you up with a GoG code. Comment/message me if you want one.

Pandora Directive box art

2. Pandora Directive – Of all the adventure games I’ve played over the years, this one is the one I’d call the best.  Pandora Directive puts Sam Spade-inspired PI Tex Murphy on a missing person’s case that soon unearths a vast conspiracy. The gameplay combines point and click mechanics with first-person exploration to great effect. During the course of the investigation Tex solves puzzles, makes contacts, and shares wisecracks about everything. Pandora Directive has sharp, funny writing and allows the player to shape Tex’s character through branching dialogue trees (way before Bioware made this popular), which can lead to a number of different endings. All the Tex Murphy games are great, but this one is the best. The combination of noir setting with humour really works for me.

Beyond Good and Evil

3. Beyond Good and Evil – Besides having one of my favourite protagonists of all time, Beyond Good and Evil has an interesting story and really solid, fun gameplay. As Jade, you need to take on the DomZ, aliens who are enslaving humans. The game world of Hillys features a really cool combination of sci-fi and fantasy elements and features stylish visuals and a really cool soundtrack. Gameplay is diverse, featuring action, combat, stealth, platforming, puzzle solving, and hovercraft racing. All of these elements are done really well. It also features a photography mechanic which is used both to gather evidence about the conspiracy going on and to catalogue all the species of Hillys. I’m a sucker for photography in games when it’s well done.

Shadow of the Colossus

4. Shadow of the Colossus – There’s a certain beauty to exploring a vast and empty land and having a story that isn’t really spelled out for you. Shadow of the Colossus is one of the most moving gaming experiences I’ve had. It’s technically an action game, but the action is confined to one very specific thing – battling colossi. Each battle is a puzzle, where you need to find the beast’s weakness in order to defeat it. As the game progresses these fights become no less exhilarating, but take on an aspect of sadness and you start to wonder why you’re killing these magnificent creatures.

XCOM Enemy Within

5. XCOM: Enemy Unknown/Enemy Within – Set during a global alien invasion, XCOM puts you in the commander’s chair of an elite organization that represents humanity’s last hope against the invaders. It expertly combines tactical turn-based combat with resource management and strategy. Managing your base is a balancing act of researching alien tech so you can adapt it for your own use, building items and facilities which aid in combat, and reducing worldwide panic by deploying satellite coverage and shooting down enemy UFOs. Everything about this game is compelling, and while I generally play through games like this once then declare “I won,” XCOM is a game that I’ve played through multiple times. Just turning on Ironman mode makes this an entirely new experience.

Shadow Hearts: Covenant box art

6. Shadow Hearts: Covenant – The PS2 was an amazing console for JRPGs and of all of them, Shadow Hearts: Covenant is the one that won my heart. Set during WW1, Covenant takes an unlikely group of protagonists across the globe in order to stop a group of sorcerers intent on world domination. Admittedly, it’s not the most unique story, but it’s the game’s execution that makes it special. Shadow Hearts introduces some really likable characters and puts them in some seriously goofy situations. It’s the humour that really sets this JRPG apart, and there’s a lot of it. It also gives some unique character abilities, from having a character who uses tarot cards and aromatherapy in combat, to a puppetmaster whose doll gains abilities from new outfits, to a vampire who changes forms from golden bat to muscle-bound pro wrestler. From a gameplay perspective, one of the best things about the game is the Judgement Ring, which turns turn-based combat into something much more active and interesting.

Star_Ocean_Second_Story

7. Star Ocean: Second Story - Another amazing  JRPG. Like many JRPGs, the story is a bit of a save the world cliche (though it does add a lot of sci-fi elements to the usual fantasy tropes), but it’s the details that make this game great. First, you get to pick your main character. You can be the attractive, broody, sword-wielding young man with spike hair OR you can play as the naive young woman with magical abilities. Okay, I’m doing a bad job selling this. Your choice of character makes subtle changes to the story, including which other characters you can recruit, and changes some of the story that you get to see, so that’s cool. Second, crafting. You can write, you can blacksmith, you can cook, or compose music or create art. It’s a really robust crafting system that lets you create a ton of usable and special items. If you get good enough at cooking you can even compete in an Iron Chef-like tournament, which is amazing. I’m not generally a fan of crafting in games, but in Star Ocean it is so much fun. Third, the combat is really interesting. Rather than turn-based, combat is more active with you controlling movement and actions on the battlefield. Also, 4 characters participate in each battle, and 4 is better than 3. There’s also an emphasis on building relationships with the other characters in your party and Private Actions let you talk to each character individually.

Mass Effect - Commander Shepard

8. Mass Effect – I refuse to pick one game, Mass Effect is best looked at as a series. Why is Mass Effect awesome? Well, primarily because of Commander Shepard and Jennifer Hale. Shepard is an amazingly kick-ass space action hero and Mass Effect is one of the few games where I enjoy both the Paragon and Renegade character development track. In a lot of games the renegade/dark/evil options just make your character into an asshole, but Mass Effect gives options that are pragmatic and direct rather than just being jerky. Character development is great, relationships in the game get into your head and never let go, choices are hard. Mass Effect features some really memorable characters and the trilogy as a whole is an experience that covers not only the thrills and dangers of saving the entire galaxy but also has a ton of smaller, quieter moments that make the games special. Also, it’s a very solid 3rd person shooter.

Vampire The Masquerade: Bloodlines

9. Vampire: The Masquerade – Bloodlines – Set in White Wolf’s World of Darkness, VtMB and is an atmospheric and immersive RPG. As a freshly sired vampire you need to navigate through an eternally dark Los Angeles, making friends and enemies, feeding on mortals, fighting foes, and surviving vampire politics. The game is not without flaws, there are some pretty nasty bugs, but the story and interactions in the game more than make up for them. The lore of the game is deep, each vampire clan has its own strengths and motivations. You can choose whether to abide by the rules of the Masquerade and what clans to align yourself with. The writing and voice acting in the game is top notch, and there are some truly creepy moments.

Final Fantasy x-2

10. Final Fantasy x-2 – Final Fantasy X was a great game, and X-2 leveraged the great world and characters it had set up and added some amazingly fun new gameplay. Yuna becomes the heroine and teams up with Rikku and new character Paine to spread girl power throughout the land (and save the world, obviously). Though there are some cringey bits (I find serious musical numbers in games to be immensely uncomfortable), the sheer amount of fun this game offers more than makes up for it. Combat has evolved past that of FFX. It’s faster, it’s slicker. Characters can use numerous different dresspheres which offer completely different sets of abilities and a snazzy new outfits. The mini-games like Sphere Break and Gunner’s Gauntlet are amusing diversions and the quest-focused story works really well.

Well, that’s my 10 (right now). I seem to have a thing for RPGs. And here’s a video where I share some more thoughts on what makes a game good enough to be called favourite.

What are your top 10 games?

It’s Not Personal

Why do people take things so personally? Why are comments made by others internalized and dwelled on? Why do they cause some people to lash out? So much of the hubbub that’s taken place in the gaming community over the past months can be blamed on people just taking things so damn personally.

Why do we do this?

From LookHuman.com

From LookHuman.com

From a psychological standpoint, it’s because humans are egocentric animals. Some more than others. We think the world revolves around us. We think that what we deem good, worthy, or correct, should be that way for everyone. We like to be right. When someone else’s viewpoint or experience doesn’t line up with ours, they are wrong. They have some bias they aren’t overcoming, some emotional issue, some intellectual dishonesty. What’s important to me should be important to everyone. What I don’t care about or know about should be ignored.

Egocentrism (and maybe narcissism) turns Carolyn Petit’s otherwise glowing review of GTAV that docked it a single point for sexism and character inconsistencies into an outright attack on the people who love the game. Well, I loved this game and had no issues with it at all and if you disagree with me, the problem is you and you should never review a game again.

Egocentrism is what makes a person read an article suggesting that the small segment of the most negative and immature gamers, the outdated stereotype of a gamer, doesn’t need to be the audience that gets catered to; and take away the message that ALL gamers are fucking terrible people. That they are under attack. They think Leigh Alexander, a gamer herself, is not advocating for more and better gaming with a broader audience, she’s calling them an asshole. Prime example of egocentrism and likely an unhealthy dose of insecurity and lack of reading comprehension.

Those same things are the reason why someone can watch a series of clips taken directly from games and listen to Anita Sarkeesian say something like “…game creators aren’t necessarily all sitting around twirling their nefarious looking mustaches while consciously trying to figure out how to best misrepresent women as part of some grand conspiracy. Most probably just haven’t given much thought to the underlying messages their games are sending… engaging with these games is not going to magically transform players into raging sexists. We typically don’t have a monkey-see monkey-do, direct cause and effect relationship with the media we consume. Cultural influence works in much more subtle and complicated ways” (source) but hear “ALL games are sexist! Game developers are sexist! If you play games YOU ARE A MISOGYNIST! Games and gamers should be DESTROYED! AAHAHAHA /wailing of banshees /cha chinging of cash registers.”

No one is immune to taking things personally. I’m not. The difference is how you act on it.

I just watched Leigh Alexander’s talk on culture and though I found the talk great, she did say a thing or two that made me bristle. Near the end of her speech she mentions the AAA games and how they may not be worthy of the praise they get. We can do better. It put my back up a little. I like AAA games, I love my XBox. Don’t talk down on the things I like or say that meaningless fun isn’t worthwhile in a game. But what did I do? I didn’t immediately send her an angry tweet or record a 10-minute YouTube rant about how she should stay the hell out of my games, she doesn’t speak for me. I kept listening. I thought critically, considered those couple of sentences that rubbed me the wrong way in the context of the rest of her speech. I realized that her having different opinions on some of the things I like is not a personal attack.

I’ve obviously spent too much time in the wrong corners of the internet lately, but it’s just depressing how many people are so quick to take opinions that have nothing to do with them so personally. And rather than taking a second to calm down, contextualize, consider “does this opinion affect my life in any way?” they get defensive, which can quickly turn into offensive vehemence.

I sort of doubt anyone who reads my blog needs this advice (at least in this context), but please, just slow down, think, and don’t take things so personally.

Tips for This War of Mine

This War of Mine can be a very challenging game, especially when you first start playing. Here are some things I learned that may help you. When I play, I focus on avoiding combat as much as possible, so keep that in mind.

To Start…

  • Collect all the items from around your house.
  • Build a metal workshop, and use it to craft a crowbar so you can get into all the locked doors in the house.
  • If you find lockpicks, don’t waste them here as they are single use and can be traded or used while scavenging if you need to be quiet.
  • Other items to prioritize crafting are: a stove (which can and should be upgraded when possible) and a bed. If it’s cold (check the temperature in the top left of the screen) a simple heater is also very important.
  • You don’t really need a shovel to clear rubble. It makes it faster, but it’s not like your social calendar is full.

Scavenging

  • The descriptions of each area on the map are quite accurate – they’ll tell you if you can trade, will be in danger, or may need to steal.
  • When visiting a location for the first time, don’t bring anything with you, as it will reduce the number of inventory slots available to bring things back. Look around, figure out what tools you’ll need to collect everything, and bring them next time you go.
  • It’s best to clear out a whole location before moving on to the next, especially at the beginning of the game.
  • Avoid fighting when you can, and leave yourself a clear way to the exit in case you need to run away.
  • You can tell when someone is near you by red radar-like blips in their location. If the movements of the red circles are erratic, frequent, and small it’s likely just a rat.
  • Head home by 3 or 4am, otherwise you risk being shot by snipers.

Characters

  • Many characters have special skills that will help you out. Make sure you’re using the correct people for each task to make the most efficient use of your resources.
    • Boris is strong but slow. He has 17 inventory slots making him a great choice for scavenging. His strength will also help if you get into melee combat.
    • Bruno is a good cook. Use him to cook food, distill moonhine/alcohol, and make medicine.
    • Katia has bargaining skills. Use her for trading.
    • Marin is a handyman. Use him to craft things in the workshop and metal workshop.
    • Marko is a good scavenger. He has 15 inventory slots and scavenges faster.
    • Roman is trained in combat. He’s a good choice if you expect to have to fight on scavenging runs, or for guarding your house. Roman can get into fights with your other characters resulting in injuries, which is a big downside to a playthrough with him in it.
    • Zlata can bolster spirits. Give her a guitar or have her talk to other characters to cheer them up.

Keeping people Healthy and happy

  • If a character displays icons above their head, another character can talk to them to give them the items they need, or comfort them.
  • If the Hospital is a location option an injured or sick character can be healed for free.
  • Keep the temperature up in the house to avoid sickness.
  • The best way to heal an injury or sickness is to give a bandage/medicine then let the character sleep in bed for the night.
  • Having books and armchairs available will make characters happier.
  • Helping neighbours or friendlies you run into while scavenging will increase morale for most characters.
  • A quick and easy way to boost morale is to trade the doctor at the hospital and let him get the best of the deal (this will be considered a donation). He wants medicine or bandages.
  • Cigarettes and coffee will relax the characters who like these things (it will say it in their profile).
  • Stealing from or killing friendlies, or refusing people help will decrease morale.

This War of Mine crafting

 Weapons

  • Even if you don’t plan on fighting while scavenging, you will need weapons to defend your house from raids.
  • A knife is a good thing to make with your first weapon parts.
  • When you can, you’ll also want to build/get some kind of gun.
  • Crowbars, shovels, and hatchets can also be used for house defense, but aren’t as effective as a knife or gun.
  • Once you have a hatchet you will also see that you can chop up furniture in your house for wood/fuel. Be careful that you don’t use the hatchet to destroy furniture you’ve built.

Food

  • Canned food is very valuable for trading.
  • Set an animal trap to for a semi-regular source of meat.
  • Get vegetables whenever you can, as they will make cooking much more efficient.

items

  • Bandages and medicine are very valuable for trading if you have extra.
  • Don’t trade away your electrical parts, unless you’ve built everything, they are limited.
  • Build each type of crafting table when you can, and upgrade them so you can be more self-sufficient.
  • The exception is the two stills which I didn’t find to be worth building, unless you plan to do a lot of trading at the military base.
  • Wood and components are needed to build pretty much everything, but only stack to 2 and 4, making it hard to get enough from scavenging. To get a bulk supply of these, you can trade Franko when he comes to your house.

Other Tips

  • The Hospital will get attacked through the game and you can find medicine in the rubble. This will not be considered stealing.
  • During winter, make sure your heater is upgraded and full of fuel all the time.
  • Build a radio and check it all stations daily. It will tell you if raids are likely and you should put extra guards on, or what the weather will be like. It might give you an idea of when the war will end. It can also be left on a music station to relax the survivors.
  • Board up your house to keep it more secure from raids.
  • If you don’t have any smokers or coffee drinkers you can trade in these items.
  • You only lose if all of your starting character die or leave. You can still make it if some of them do, though morale will be affected.

That’s all for now! Let me know if you need more info, or if you have any tips for me.

Last Year, Next Year

Another year is over, and Cannot be Tamed has just turned 5 years old. While it wasn’t the most positive year for the gaming community as a whole, I think it was a pretty decent year for games. It also marked the year that I quit World of Warcraft and started writing about a much wider variety of topics in gaming. How has that worked out? It’s a bit of a mixed bag. I’m enjoying writing more, and I get to play so many more games now. On the other hand, this has been the worst year for Cannot be Tamed in terms of traffic, other than my first. In part this is due to how sparsely I was posting for the first half of the year, but I also think I had carved out a pretty successful niche for myself in WoW that I just haven’t managed to do outside of it. It’s a bit depressing to see that 2 year old gear guides are still being seen more often than new posts that I pour a lot more of my heart and soul into. It’s not all about views, but I like when people read my stuff, and like it even better when I get feedback.

I published 57 posts this year. The most popular was my Tips for Dragon Age: Inquisition. Exciting that it’s not a WoW post, but the next dozen popular posts are all WoW guides.

And what about my favourite posts? Here are a few.

Monkey on My Back – I wrote this about WoW and, though I never actually use the word, addiction. These are all the things that kept me playing for so long. Articulating these thoughts and reading them out loud was pretty much the moment I decided I needed to stop.

A History of Control(lers) – Alright, I’m a geek, and this post probably won’t appeal to many people who don’t feel as passionately about console controllers as I do. I thought this was a fun look back at all the consoles and controllers I’ve shared my life with.

This is the Way the World Ends – A troubling look at how one of my favorite genres, dystopic and end of the world fiction, treats women.

Doing it Right: Remember Me – It’s easy to criticize games for the shitty way they treat women (because, let’s be honest, the ways in which games do this are endless), but I also think it’s important to compliment the ones that are making improvements and doing things right. I meant for this to be a regular feature, and though I only ended up doing this twice last year, hopefully I’ll be inspired to do it more in 2015.

Quality vs. Enjoyment – A look at some of the games that manage to both drive me completely crazy and make me fall in love with them.

Feelings – Probably one of my favourite posts I’ve even written, this is a look at the games that have made me feel the most.

Incidentally, my favourite posts are the ones that got the least attention, but I guess that’s just how things go.

I’m also pretty proud of my Gamer Questionnaire and was really excited at how many responses it got. It inspired more than 50 blog posts and even a few podcast episodes. If you haven’t done it yet, and are looking for a post idea, check it out. I was also happy to be a guest on Justice Points twice this year, once to talk about Tomb Raider, and once to just chat about games. Discussing games on Twitter or in comments is great, but it’s always really nice to actually get to talk about them with smart, awesome people. I was also briefly on RT news, who interviewed me about the GTAV ban in Australian stores, which was both cool and bizarre. It’s so strange to hear a 6 minute interview get put into a 12 second soundbite.

What about next year? I have a few goals.

  • I’d like to experiment with videos and streaming more. I’m not sure those things are really my jam – I don’t think I’m exuberant or talkative enough to make people want to watch me play games – but I’d like to give it a shot.
  • I’d like to write more. I think every blogger says this every year.
  • I’d like to interact more with other gaming people. I love getting comments and feedback, so I feel the need to put more of those things out there myself.
  • I’d like to make a game. After discovering sortingh.at  I realized that this is something I can do, despite my lack of artistic ability. It won’t be big, or complex, but I want to make something.

Anyways, Happy New Year, thanks for reading. Here’s to a great 2015.